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A young boy becomes infatuated towards an older woman. TV movie based on Eduardo Barrios's novel of the same title.

Diego is a young musician who lives the terrible death of his uncle to AIDS. While in his deep depresion he meets Gabriela, which brings back a smile to his face. Just when life seems more promising than ever, one beutiful night death once again took a toll on his life. It seems as though the phantoms of the past are never going to let him go.

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After losing all her loved ones fifteen years ago and believing her babies were killed at the hands of the father of her first love, Leona Bravo embarks on a journey of justice against all those who hurt her. In this process, Leona discovers that her children are actually alive and is reunited with an old friend with whom she finds true love. As a result, she will be torn between her desire for justice and rebuilding her bond with her two children, as well as regaining her faith in love.

A filmic reflection on the way in which cinema taught us to live romantic love during the 20th century, building an impossible ideal within our personal relationships. Cinema taught viewers how they had to see it, worse, it showed directors how they had to film it. Based on quotations from early cinema films, Contar el amor discusses the role of sex and violence as central themes in our increasingly broad but, at the same time, less pluralistic audiovisual universe.

Marco, Patricio and Lucrecia form a peculiar loving relationship. For Patricio this does not seem to be a problem; it is shown as a person willing to a fickle love. But Marco plays the role of the neurotic: he does not feel a taste in this triad, he chases the girl, questions his friend, bothers the relationship and shows his disagreement. This could go through a triangle to use, one more in the history of cinema. But sometimes the geometry breaks.

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